A brief analysis of Stravinsky’s Passacaglia (from the Septet, 1953)
The Passacaglia is the second movement of the Septet for clarinet, bassoon, horn, piano, violin, viola, violoncello. Written between July 1952…
The three periods of Stravinsky’s creative life
Igor Fyodorovich Stravinky’s journey into composition starts with his studies with the famous Russian composer Nikolai Rimsky-Korsakov.…
Le caratteristiche della tonalità: il caso di Stravinsky e dell’Oedipus Rex
Una breve descrizione dell'utilizzo dei centri tonali all'interno dell'opera-oratorio Oedipus Rex di Igor Stravinsky.
Stravinsky’s use of “tonal characteristics” in Oedipus Rex
A brief explanation of the different "tonal poles" used by Stravinsky in his famous oratorio.