{"id":1552,"date":"2021-09-16T16:58:58","date_gmt":"2021-09-16T14:58:58","guid":{"rendered":"https:\/\/www.antoniocafasso.it\/?p=1552"},"modified":"2021-09-16T16:59:00","modified_gmt":"2021-09-16T14:59:00","slug":"besoine-de-personnes","status":"publish","type":"post","link":"https:\/\/www.antoniocafasso.it\/it\/music-for-media\/besoine-de-personnes","title":{"rendered":"Besoine de Personne(s) (2021)"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Besoine de Personne(s) is a French documentary about the famous etoile <a href=\"https:\/\/en.wikipedia.org\/wiki\/Marie-Agn%C3%A8s_Gillot\" target=\"_blank\" rel=\"noreferrer noopener\">Marie-Agn\u00e8s Gillot<\/a>, directed by Tamara Fernando with Matthew Totaro as director of cinematography. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><meta charset=\"utf-8\">About the music: <\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Writing this documentary wasn&#8217;t an easy task. It is full of dialogues and overwhelming emotions.<br>The protagonist is a wonderfully complex person and highlighting her personality with music required lot of experimentation and trial and error.<br>Concerning the instrumentation I almost only used pianos: with and without felt and <em>una corda<\/em>. Because of that and because of the dialogues I had to be creative with reverbs. I used three of them: a plate, a small hall and a shimmer.<br>All of three are combining together to make a dense, almost otherworldly lush sound.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Credits:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Directed by Tamara Fernando<br>Matthew Totaro director of cinematography<\/p>\n\n\n\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1125704866&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/acafasso\" title=\"Antonio Cafasso\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Antonio Cafasso<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/acafasso\/besoin-de-personnes\" title=\"Besoin De Personne(s)\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Besoin De Personne(s)<\/a><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Besoine de Personne(s) is a French documentary about the famous etoile Marie-Agn\u00e8s Gillot, directed by Tamara Fernando&hellip;<\/p>","protected":false},"author":1,"featured_media":1553,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23],"tags":[],"class_list":["post-1552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-for-media"],"jetpack_featured_media_url":"https:\/\/www.antoniocafasso.it\/wp-content\/uploads\/2021\/09\/WhatsApp-Image-2021-04-07-at-14.15.49.jpeg","_links":{"self":[{"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/posts\/1552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/comments?post=1552"}],"version-history":[{"count":3,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/posts\/1552\/revisions"}],"predecessor-version":[{"id":1556,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/posts\/1552\/revisions\/1556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/media\/1553"}],"wp:attachment":[{"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/media?parent=1552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/categories?post=1552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.antoniocafasso.it\/it\/wp-json\/wp\/v2\/tags?post=1552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}